This list (in progress) has been compiled in a collective effort by members of MEGY (the Hungarian Translators’ Association), to mark the awarding of the Nobel Prize for Literatu
‘Have you just been to FILIT?’ – I’m being asked upon boarding the train in Iaşi on 22 October. As I respond ‘yes’, my fellow traveller nods in a knowing way and doesn
Imagine the moment when the Ceaușescu regime fell and suddenly people were in charge of their own lives for the first time. There was no road map, nor was it possible to call on l
In the foreword to Plays from Romania: Dramaturgies of Subversion, a collection of six translations by Jozefina Komporaly, theatre director Faynia Williams points out that ‘[t]he
Excerpt (Mihaela and Pavel are actors. The character of Pavel is to be played by a female performer; Oana in the original production). PAVEL Hey, why don’t you have faith i
Sunday, 7 November 2021, 3pm, Romanian Cultural Institute in London (1 Belgrave Square, London, SW1X 8PH) and online (livestream on RCI London’s Facebook page and recorded on
Find out what happens when two successful writers and public figures meet for the first time: Turkish-British novelist, academic and activist meets the French-Romanian novelist, pl
Friday, 23 October 2020, 2pm online | Livestream on RCI London’s Facebook page and recorded on YouTube channel from Sat 24 Oct Organised with the support of the British C
On the Feeling of Elasticity When Walking Over Dead Bodies is a landmark play by Matéi Vişniec and is representative of the playwright’s major thematic and stylistic concerns.
